![]() ![]() Hall had high praise for the films writers, Qui Nguyen and Adele Lim, saying, “I have to give Qui and Adele credit because it’s gotta be on the page and they really found a way to weave all that in there but make it specific to Awkwafina.” Visual development art of Sisu by artist Ami Thompson We wanted the character to be fun and funny - obviously we have Awkwafina doing the voice - to make sure we could have enough meat for Awkwafina to dig into and so it was an interesting mix.” Doubling down on the cultural inspirations like the Naga really helped give us something unique that we felt like audiences hadn’t seen.”Īs for Sisu’s personality, Hall explained, “In terms of finding the right balance, because of their almost divine status, we wanted Sisu to have that wisdom of the ages but also give her a naivety and maybe even a little glimmer of self-doubt. What we found is that that was going to give us a very unique take, knowing that there’s a lot of dragons in movies. When it came to figuring out their dragon, Don Hall ( Big Hero 6, Moana), who directed Raya with Carlos López Estrada, said, “It took a little finessing to get the right mix, because in Southeast Asia, what we’re inspired by is the mythology of Nagas, which are a very specific type of dragon and they’re revered as almost deities. THE LAST NAGA Raya and Sisu in 'Raya and the Last Dragon' And that stuff about corn-fed Skynyrd types fighting Grandmaster Flash? Nah.After viewing about 30 minutes of footage from the film – which contains some truly gorgeous imagery and visuals unlike those typically found in Disney animated films - Fandom spoke to some of the key creators of Raya and the Last Dragon about their depiction of Sisu and how they sought to make her very different from dragons you might have seen in stories like Game of Thrones, Harry Potter, or The Hobbit. #Double dragon cartoon writers movie#The lurid late-eighties glow–as resurrected in a 2012 reboot that owes as much to Ninja Turtles cartoons as the original game–only became the focus with the movie and later franchising. Likewise, Double Dragon's elements of mysticism were more akin to Roger Moore Bond movies and kung-fu exploitation flicks than the contemporaneous Big Trouble in Little China. Double Dragon was more a delayed echo of gritty 70s crime flicks such as Death Wish and The Warriors than Reagan-era neon paranoia (in arcades: Narc). However, I'm going to be that guy and suggest that he's not quite nailed the time period. #Double dragon cartoon writers crack#… It's the Reagan-era fantasy in a nutshell-the "one good man" of frontier myth updated for a world of crack dens and moral sleaze, taking down feral street punks with a bone-crunching kick to the face rather than a six-shooter.Ī great article. In brief: The hero is a square-jawed white guy, clad in a blue-collar uniform of wifebeater and sleeveless denim jacket. Like its closest peers-namely Renegade and Streets Of Rage-Double Dragon represents the vigilante myth at its most naked and vicious. Finally, someone has written an in-depth article about the cultural ethos of classic 1980s beat-em-up Double Dragon. ![]()
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